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Sanctified

Summary:

Lily got the letter with the wax seal and the royal emblem and all that garbage, like it meant something. And maybe it did. So she went. All dolled up and thirty hours no sleep just to stand in the corner of a ballroom. What is she hoping to find here—closure, or him?

Notes:

(See the end of the work for notes.)

Chapter Text

She had been young when she met him-not a girl, but not quite a woman either. College-aged, with the kind of restless energy that made everything feel urgent, important. Like something just beginning to oxidize.

She had thought herself composed, but the truth was, she had always arrived breathless where he was concerned. The kind of breathlessness that curls behind the teeth, that makes everything taste like wanting. Seeing him again had felt inevitable,

She had been eager to see him again. Too eager. She had not yet unlearned the girlish thrill of reunion, anticipation curling in her stomach.

She should have been indifferent. But when she read his invitation, she had felt it again-the sharp thrill of being chosen.

The envelope had been thick, the kind that felt important just from the weight of it. Wax-sealed, pressed with an insignia she didn't recognize-a blue trefoil - something elegant, regal. She had expected the letter to be like all the others. Printed, sterile. A formal declaration from a rising monarch. But no, hers had been written by hand. For her. Only for her.

His handwriting-she had forgotten how neat it was, how precise.

She read the first line.

If you're still in-

It had been crossed out.

In its place: Wherever you are now.

She had stared at that line, tracing the ink with her thumb. He hadn't known where she was. And yet, the letter had found her, as if he had plucked her address from thin air. But he hadn't, of course. When she had arrived, he told her half exasperated, half amused-that it had been a wild goose chase. Apparently, she was very difficult to find.

I would like for you to be there.

There. At his coronation.

I've arranged for transport if you need it. Just say the word, and it will be done.

She let herself indulge in it.

Vanilla always had a talent for mistaking the melodramatic for the poetic... they had so much history, she and him, sweet years layered like sfogliatelle. Her time with him had marked her movement from youth to adulthood, and for that reason alone, he was special.

 

She thought when he had brought her to his home. The village had been simple, the kind of place where life moved at the pace of the seasons. She remembered the murmurs of the townsfolk- It's about time you brought a girl home!

She had glanced at him then, waiting for his reaction. A flush of embarrassment? A stammered denial? Something boyish, something familiar. But no. He'd simply smiled.

He had led her through the fields, gesturing to a flock of sheep as they grazed. They had been drawn to him, pressing close, nuzzling his hands.

"They remember me," he smiled, stroking one of their heads. "Even after all this time." She had laughed then, had reached out to touch the soft curl of fleece, had let herself be charmed by the sight of it all-his easy grace among them. The way the ewes bleated like children, their long-lashed eyes innocent and bright-

Until they were neither.

Because they had died, of course.

Not all at once, not in any great tragedy, but in the way things simply did. One season after the next. The land had taken them, and new ones had been born in their place. The flock had moved on. He had moved on.

She had thought, then, that shepherding was a gentle thing. That his hands, so skilled in healing, had only ever been used to soothe. But shepherds must always choose - to protect or to cull.

She had asked him about it once. Why would you ever cull them?

He had looked at her with something almost pitying, almost patient.

"Mercy," he had said. "Sometimes they suffer, and we must decide for them. A good shepherd knows when to let go." He paused, then added, "Nature is cruel, but we don't have to be."

She had watched him do it, one autumn evening, when the air was cool and the leaves burned gold. A lamb, sickly and weak, curled in his lap. He pressed a hand to its side, his touch almost reverent. And then steel pressed into the thin skin of its throat. There was just a moment's resistance before it slid in. The lamb gave a small convulsion, a long exhale like a sigh. The last sound it would ever make. Life poured out of it in a warm flood onto the hands of the boy who held it still, then beaded in the soft wool. Vanilla held it there as the life slipped from it, murmuring something low and soft, though he knew it could not hear.

And now, he was about to be a king.

She wondered how many things he had culled since then.

 

 

 

He didn't come to greet her himself, which was expected. A king doesn't retrieve his past at the door. Still, something in her chest wilted at the thought. A servant-young, tight-lipped, clearly instructed-escorted her through hushed marble halls to a room in the palace's guest wing. The kind of room designed for diplomats and estranged cousins too wealthy to ignore. The room was immaculate. Not merely clean, but curated-as if it were preserved for a version of her that had never existed. He'd arranged it, they said. She no longer knew how to accept that kind of softness without trying to destroy it.

The palace was quiet. It was the sort of silence that made her aware of her own pulse-an inconvenient, fleshy metronome.

She recalled the way he had looked at her back then-so full of reverence, as if she were a cathedral and he was the last believer left alive.

It was not the kind of look you talk about in polite company.

Once, she had begged him to ruin her. She thought letting him inside would make something clean out of all the mess-that she might make something holy out of it. Something white and clean. Someone worth saving. But she never felt the warmth of creation. Only the ache of it.

They used to fuck in greenhouses. He’d pull her into the shade of wilting orchids and kiss her like he was starving. There was always something dying.

No matter how many times they watered the orchids, trimmed the browning leaves, and cleared away rot-something gave in. Something curled in on itself, soft and mold-touched. He’d kneel in front of her, press his mouth to her like she was still warm and living, and maybe she was. In a room of things turning to mulch, she was still pink and breathing. He moved slow, deliberate-as if trying to find the first signs of spoil. To taste where she, too, might one day start to rot. And she let him. She liked it. Liked the juxtaposition-the soft petal of her against the dying vine. A living thing slowly learning what it meant to be perishable.

Now he had people folding her towels into swans.

Funny what a crown does to a man.

 

 

 

The coronation hall was grand and opulent in a way that made the past feel like a fable. A place like this rewrote history simply by existing-one did not imagine blood in the foundations, though it was always there. It was beautiful, certainly. But so were mausoleums. And this place, with all its glimmering excess, felt no less like a tomb.

She stood off to the side, like a child at the edge of a lake, unsure whether to wade or to drown.

She was not particularly fond of drinking. It dulled the senses, made the mind slow and stupid, and she had always liked to keep her wits about her. But everyone else was doing it. So she picked up a glass. She took a sip of the champagne. It was crisp and dry on her tongue, but it gave her something to do with her hands. She felt it burn down to her stomach, a small, stinging fire.

She looked around, her gaze skimming over the crowd like a stone skipping water-quick, nervous, barely touching down. She did not recognize every face, but some were familiar. No one approached her, though, a few cast glances her way, flickering with recognition before slipping into polite disinterest. She was neither guest nor ghost, merely something observed and unacknowledged.

There was a ripple of awareness passing from one end of the room to the other. One by one, voices fell to whispers, then to nothing at all. The air changed. Not in a sudden, unnatural way, but in that slow, inevitable way a tide recedes from the shore.

He walked in like a breeze slipping through a half-open window-unannounced, but undeniable. There was a gentleness to the way he moved, a kind of grace that didn’t ask permission but expected space.

Vanilla wore purple, resplendent, funereal. A royal purple that emperors laid out on funeral pyres, their ribs cracked open to let the gods drink deep.

Gold lined the edges, creeping like ivy, like veins, like something that had taken root in him long ago and had only now begun to bloom. His cloak sat heavily on his frame, draping in folds too thick, too deliberate, dusk settling over his shoulders. Smothering.

He looked taller now, older, though she suspected that had nothing to do with the passage of time. No, there was something else, something cut and carved into him, a quiet solemnity that did not belong to boys still learning their own names. His face bore the expression of someone who had already known the weight of a crown long before it was ever pressed into his skin.

There was no coldness in him, not truly. Only distance. He looked at her the way one looks at something they’ve already lost. It should have soothed her. But something in her had already braced for the knife, and when it didn’t come, the absence of pain felt like a different kind of violence.

He did not speak. He only extended his hand out towards her, fingers curved in a gesture too old to be casual, too solemn to be anything but ritual. As though she had already agreed, long ago, in some forgotten life.

She did not move at first. Not because she was afraid. Not because she did not want to. No, what rooted her to the spot was an absence of understanding. Go where? Why? The room had turned inward on itself, a sea of bodies closing in, whispers rising like the rustling of silk, urgent, breathless. The weight of their eyes pressed down on her, settled against her ribs, but she could not name the shape of it.

And maybe she'd wanted this. Not the crown, not the pageantry-but this sharp, breathless moment, the hush of it, the terrible pause before being seen. There was a kind of vanity in being chosen like this. A kind of madness. And God, wasn't she just the tiniest bit flattered?

So, she moved.

His hand met hers, warm, steady. Like a blade slipping cleanly into the groove meant for it.

He led her forward, onto the altar. The air up there was too thin, like reverence had wrung all the oxygen from it. She wondered if kings felt dizzy, too, or if that was just her.

Then she saw the crown.

From afar, it had seemed beautiful, and beauty is such an effective lie, isn't it? A trick of the eye, of the mind, of something soft and desperate enough to believe that if something gleams, it must be safe to hold. Up close, it was something else entirely. Vanilla orchids, their petals gold-veined and waxen, woven into something too intricate, too perfect. And at the center of each was something. An eye. Not a jewel. Not a flourish of craftsmanship. An eye. Wet and dark and watching. Like the hunger of something eternal.

Her fingers twitched at her sides, a breath catching sharp at the back of her throat, but hesitation was a thing for people who still believed in escape. She knew better. She had always known better. Because Vanilla was speaking now, his voice curling through the thick heat of the room, finding her, pinning her in place.

"I am happy you're here," he said.

His voice was the same. His voice was not the same.

She almost laughed. Not at him, but at herself, for dressing her fear in silk and showing up like it meant something. The weight of the moment pressed in, crowded against the spaces between her ribs. She did not know why she was here. She did not know what any of this meant.

But neither did the lamb, the moment before the blade.